Radical Attitudes: The Architecture of Douglas Cardinal
SubjectsArts First Nations Indigenous
- Release Date 2004
- Running Time 48 minutes
- Closed Captions Yes
- Availability Canada, USA
- Regular price
- Regular price
- Sale price
- Unit price
Institutions: Purchase at this price level if you are from a university, college, school board, school district, government agency, business or association. Note: Price does not include inter-library loan rights.
Community: Purchase at this price level if you are from a single K-12 School, registered not-for-profit, community organization, public library. Note: Price does not include right to circulate DVD/program to other schools within district.
DSL stands for Digital Site License and permits the buyer of the license to host the film on a password-protected, closed server for the term of the license for educational use. If your institution does not have a server or you are looking into a license for curated one-time events or fixed term exhibitions, please contact us.
Creativity is making a declaration and a commitment and being absolutely unreasonable in carrying it out. - Douglas Cardinal
Never one to build meaningless boxes designed for obsolescence, Métis architect Douglas Cardinal has spent a lifetime striving to elevate architecture. His work is celebrated nationally and internationally for its organic beauty and unique curvilinear style. With such prestigious projects as the Canadian Museum of Civilization and the First Nations University of Canada, he has established a design process informed and enriched by his aboriginal roots-consultative, holistic and nurtured by what he calls sacred trust. But his extraordinary career has also been marked by tumult. Exacting and outspoken, Douglas Cardinal has never shied from controversy. Radical Attitudes chronicles Cardinal's highs and lows, including his headlong plunge into the computer age in which he banished all his team's drawing boards in favour of an untested electronic tool, a maneuver he characterizes as like Cortez burning the ships. This fast-paced documentary also delves into Cardinal's controversial standoff with the Smithsonian and their botched collaboration on the National Museum of the American Indian, which opened September 2004 in Washington, DC. Interviews with renowned architect Arthur Erickson, Cardinal's long-time colleague Satish Rao, Washington Post architecture critic Benjamin Forgey and representatives from the Smithsonian paint a complex picture of an uncompromising visionary and artist.
Award(s): Leo Award for Best Documentary (Arts/Performing Arts)
If your institution does not have a server or you are looking into a license for curated one-time events or fixed term exhibitions, please contact us.
The following terms are understood, accepted and effective upon payment of License Fee to Moving Images Distribution, the Licensor, and the buyer, the Licensee, named on the invoice. Copyrighted material, as identified on the invoice, hereinafter referred to as the Program.
License: The Licensor hereby grants to the Licensee, for the DSL term listed on the invoice, the educational rights for digital streaming of the Program for use within the Licensee’s internal closed system, password-protected platform. Licensee acknowledges it shall not sublicense, sublease, rent, resell, duplicate, digitize or transfer to any other medium or format. Licensee shall not edit, cut or alter the Program nor post it on publicly-accessible websites or networks. This license (i) will not be included in any courses that could be sold to other institutions for future distance-education use; (ii) is non-transferable; and (iii) is not assignable by the Licensee.
Users: The Licensee agrees that the users for this license shall be restricted to the Licensee’s accredited faculty, staff and students.
Expiration of Term: Upon expiration of the license term, the Licensee shall cease streaming of the Program and the Program must be deleted from the Licensee’s digital servers.
Acknowledgement of Limitations: The Licensee acknowledges the Program is copyrighted and the Licensor has a copyright interest in the Program which is legally protected against the Licensee’s use, copying or exhibition except as is set out above.
DVD w/PPR. PPR stands for Public Performance Rights. A DVD with PPR license permits the buyer to use the film in non-theatrical venues for educational purposes, community screenings and other non-commercial purposes. Standard educational DVD w/PPR purchases are in perpetuity for use by the institution, college, school, library, its staff and students.
All DVDs sales are final. We guarantee that all DVDs will be free from defects at the time of delivery. Defective DVDs will be replaced without charge within 30 days of date of shipment.
The creators of all works distributed by Moving Images Distribution hold copyright for their work. Copyrights are a form of intellectual property that gives the owner of the original work exclusive rights to that work, including its publication, distribution, adaptation and use. All purchasers are to specify use required precisely at time of ordering and agree to comply with all copyright, trademark and intellectual property law. No materials purchased may be used outside the rights acquired at time of purchase or may be reproduced in whole or in part by any method now known or hereafter devised. No materials purchased without specific broadcast license and agreement may be broadcast, retransmitted or exhibited in whole or in part without a specific license agreement from Moving Images Distribution for such use.