FOTO CINE MAMA & I

Producer

Oliver Hockenhull

Subjects

Arts Cinema Studies Families History Photography Psychology Sociology
  • Release Date 2024
  • Running Time 78 minutes
  • Closed Captions Yes
  • Availability Worldwide

Regular price
$350.00
Regular price
Sale price
$350.00

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FOTO CINE MAMA & IFOTO CINE MAMA & IFOTO CINE MAMA & IFOTO CINE MAMA & I

Through a collection of family photographs, Oliver Hockenhull crafts a deeply personal and philosophical essay on photography, memory, identity, and mortality. Blending family history with cultural critique, the film explores how images shape our understanding of ourselves, our loved ones, and the world around us. "FOTO CINE MAMA & I" is a thoughtful meditation on photography in the age of artificial intelligence.

The film’s core utilizes a collection of personal photographs of the filmmaker's mother and family. The film is a reading of the images as family history, as socio-political history, as a history of the photographic ‘snap shot'—of symptoms and ailments (societal and personal), of the imaging of the self, of death, of immortality, of love, and of art — and as a personal psychoanalytical tell of a son to his mother.

The work is informed by Walter Benjamin’s conceptualization of the "optical unconscious' of photography" which underpins photography's enigma. We also utilize Ernst Jünger's exploration, penned during the interwar period, that unravels the photograph as a self-objectifying mechanism. Important photographic milestones from George Eastman to Nadar to Jeff Wall to Ansel Adams and others are used as hinges to open up the mind’s eye to the philosophical complexity and sociological relevance of the photographic image.

Ultimately the film is a reflection on the act of reflection itself. It unveils the myriad dimensions of the image, illuminated through the prism of deeply personal vignettes — none more intimate than the portrayal of the artist's own mother. Here, the umbilical cord of identity converges with a burst of latent potentials, poised for their imminent emergence.

Director and Producer: Oliver Hockenhull

Quality Digital Print available for screenings, gallery presentations and exhibitions.

Digital Site License (DSL) - Terms of Use

If your institution does not have a server or you are looking into a license for curated one-time events or fixed term exhibitions, please contact us.

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  • License: The Licensor hereby grants to the Licensee, for the DSL term listed on the invoice, the educational rights for digital streaming of the Program for use within the Licensee’s private, closed system, password-protected platform. Licensee acknowledges it shall not sublicense, sublease, rent, resell, duplicate, digitize or transfer to any other medium or format.  Licensee shall not edit, cut or alter the Program nor post it on publicly-accessible websites or networks.  This license (i) will not be included in any courses that could be sold to other institutions for future distance-education use; (ii) is non-transferable; and (iii) is not assignable by the Licensee.

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