Cinema Studies

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Storytellers in motion, The Indigenous Voice, Part 1

Storytellers in motion, The Indigenous Voice, Part 1
Storytellers in motion, Modern Indigenous Aboriginal Native Indian Type Dude: Jordan Wheeler

Storytellers in motion, Modern Indigenous Aboriginal Native Indian Type Dude: Jordan Wheeler
Storytellers in motion, It's a Spiritual Thing: Rodger Ross

Storytellers in motion, It's a Spiritual Thing: Rodger Ross
Storytellers in motion, Haisla Anchor: Carla Robinson

Storytellers in motion, Haisla Anchor: Carla Robinson
Storytellers in motion, From the Trapline: Shirley Cheechoo

Storytellers in motion, From the Trapline: Shirley Cheechoo
Storytellers in motion, Mi'kmaq Storyteller: Catherine Martin

Storytellers in motion, Mi'kmaq Storyteller: Catherine Martin
Storytellers in motion (Series 1 x 13 parts)

Storytellers in motion (Series 1 x 13 parts)
Storytellers in motion, Our First Lady of Cinema: Alanis Obomsawin

Storytellers in motion, Our First Lady of Cinema: Alanis Obomsawin
Storytellers in motion, From the Edge: Gil Cardinal

Storytellers in motion, From the Edge: Gil Cardinal
Storytellers in motion, Mr. Tapwe: Doug Cuthand

Storytellers in motion, Mr. Tapwe: Doug Cuthand
Storytellers in motion, The Syilx Voice: Tracey Jack

Storytellers in motion, The Syilx Voice: Tracey Jack
Storytellers in motion, Town Crier: Jim Compton

Storytellers in motion, Town Crier: Jim Compton
Girls On Top

Girls On Top
Unspoken Territory

Unspoken Territory
Weird Sex and Snowshoes: A Trek through the Canadian Cinematic Psyche

Weird Sex and Snowshoes: A Trek through the Canadian Cinematic Psyche
Today is a Good Day: Remembering Chief Dan George

Today is a Good Day: Remembering Chief Dan George

Acknowledgements

Moving Images Distribtuion is located on the traditional and unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaʔɬ/Selilwitulh (Tsleil‑Waututh) Nations. We appreciate and honour the Indigenous stewardship that has allowed us to respectfully work together to remove systemic barriers.

We gratefully acknowledge the financial support of the BC Arts Council and the Province of British Columbia through the Ministry of Jobs, Economic Recovery and Innovation.

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Collection: Cinema Studies

Acknowledgements

Collection: Cinema Studies

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Acknowledgements