Marker of Change: The Story of the Women's Monument
ProducersPamela Millar Sher Morgan The May Street Group
- Release Date 1998
- Running Time 52 minutes
- Closed Captions Yes
- Availability Canada, USA
- Prix habituel
- Prix habituel
- Prix soldé
- Prix unitaire
Institutions: Purchase at this price level if you are from a university, college, school board, school district, government agency, business or association. Note: Price does not include inter-library loan rights.
Community: Purchase at this price level if you are from a single K-12 School, registered not-for-profit, community organization, public library. Note: Price does not include right to circulate DVD/program to other schools within district.
DSL stands for Digital Site License and permits the buyer of the license to host the film on a password-protected, closed server for the term of the license for educational use. If your institution does not have a server or you are looking into a license for curated one-time events or fixed term exhibitions, please contact us.
Article ajouté au panier
People think the women's movement is dead, passé, irrelevant. They should watch this film.
- Francine Pelletier, journalist
On December 6, 1989, 14 young women at Montréal's Ecole Polytechnique were systematically hunted down and shot to death in what became known as the Montréal Massacre. Within hours, everyone knew the name of the murderer but few would remember the names of the women. To counteract the media coverage's focus on the murderer, a band of Vancouver feminists set out to create Canada's first national monument to name and remember the 14 women, most of them students in engineering, who were murdered solely because they were female.
Marker of Change: The Story of the Women's Monument documents a seven-year struggle to create "something loving, something permanent" for all women murdered by men. Over 6,000 individual donors contributed to the monument before it was completed. From the moment of its inception, the Women's Monument project was dogged by controversies; but when the wording on its dedication became known to the media, all hell broke loose. The inscription "For all women murdered by men" sparked a backlash and a country-wide debate.
Among the monument's supporters who speak to what was lost December 6, 1989 and why it still silences and divides Canadians years later are: Suzanne LaPlante Edward, mother of murdered Polytechnique student Anne Marie Edward; former British Columbia MLA and activist Rosemary Brown; Québec feminist and Governor-General award-winning author Nicole Brossard; Vancouver City Councillor Nancy Chiavario; and artist Beth Alber who designed the monument.
Like the monument itself, this vital documentary is intended to provoke a shift in Canadian consciousness from denial to healing to societal change. With theatrical release of the Canadian drama Polytechnique (2009), the documentary Marker of Change provides the context for discussions on what was done, and what still needs to be done, by women and men to end violence against women in Canada.
Award(s): Bronze Apple Award, National Educational Media Competition, Oakland 1999; CanPro Award, Excellence in Television, Ottawa 1999
A discussion guide is available:
If your institution does not have a server or you are looking into a license for curated one-time events or fixed term exhibitions, please contact us.
The following terms are understood, accepted and effective upon payment of License Fee to Moving Images Distribution, the Licensor, and the buyer, the Licensee, named on the invoice. Copyrighted material, as identified on the invoice, hereinafter referred to as the Program.
License: The Licensor hereby grants to the Licensee, for the DSL term listed on the invoice, the educational rights for digital streaming of the Program for use within the Licensee’s internal closed system, password-protected platform. Licensee acknowledges it shall not sublicense, sublease, rent, resell, duplicate, digitize or transfer to any other medium or format. Licensee shall not edit, cut or alter the Program nor post it on publicly-accessible websites or networks. This license (i) will not be included in any courses that could be sold to other institutions for future distance-education use; (ii) is non-transferable; and (iii) is not assignable by the Licensee.
Users: The Licensee agrees that the users for this license shall be restricted to the Licensee’s accredited faculty, staff and students.
Expiration of Term: Upon expiration of the license term, the Licensee shall cease streaming of the Program and the Program must be deleted from the Licensee’s digital servers.
Acknowledgement of Limitations: The Licensee acknowledges the Program is copyrighted and the Licensor has a copyright interest in the Program which is legally protected against the Licensee’s use, copying or exhibition except as is set out above.
DVD w/PPR. PPR stands for Public Performance Rights. A DVD with PPR license permits the buyer to use the film in non-theatrical venues for educational purposes, community screenings and other non-commercial purposes. Standard educational DVD w/PPR purchases are in perpetuity for use by the institution, college, school, library, its staff and students.
All DVDs sales are final. We guarantee that all DVDs will be free from defects at the time of delivery. Defective DVDs will be replaced without charge within 30 days of date of shipment.
The creators of all works distributed by Moving Images Distribution hold copyright for their work. Copyrights are a form of intellectual property that gives the owner of the original work exclusive rights to that work, including its publication, distribution, adaptation and use. All purchasers are to specify use required precisely at time of ordering and agree to comply with all copyright, trademark and intellectual property law. No materials purchased may be used outside the rights acquired at time of purchase or may be reproduced in whole or in part by any method now known or hereafter devised. No materials purchased without specific broadcast license and agreement may be broadcast, retransmitted or exhibited in whole or in part without a specific license agreement from Moving Images Distribution for such use.