Storytellers in motion, The Maori Voice, Parts 1 & 2
DirectorsJeff Bear Marianne Jones
ProducersJeff Bear Marianne Jones Urban Rez Productions
- Release Date 2007
- Running Time 48 minutes
- Closed Captions Yes
- Availability Canada, USA
- Prix habituel
- Prix habituel
- Prix soldé
- Prix unitaire
Institutions: Purchase at this price level if you are from a university, college, school board, school district, government agency, business or association. Note: Price does not include inter-library loan rights.
Community: Purchase at this price level if you are from a single K-12 School, registered not-for-profit, community organization, public library. Note: Price does not include right to circulate DVD/program to other schools within district.
DSL stands for Digital Site License and permits the buyer of the license (or Licensee) to host the film on a private, password-protected, closed server for the term of the license for educational use. If your institution does not have a server or a private third party hosting platform or you are looking into a license for curated one-time events or fixed term exhibitions, please contact us.
Article ajouté au panier
This two-part episode features the Maori storytellers of New Zealand: Barry Barclay, Merata Mita, Tainui Stephens, Don Selwyn, Carey Carter and Vanessa Rare. Over the last century, the Maori voice has remained an essential part of New Zealand forging a unique relationship to a country that bears a striking resemblance to the Canadian indigenous experience. Beginning with politics, then writing, eventually in education, and ultimately through the arts, Maori continue to play a vital role in New Zealand society. Barry Barclay, Merata Mita, Tainui Stephens and Don Selwyn are pioneers and have inspired other Maori. This documentary looks at their lives, works, and the struggles they faced to get where they are today. It also examines the work of Carey Carter, Vanessa Rare and Ainsley Gardiner who are on the front lines of today's emerging artistic community. They are what Barry Barclay defines as the emerging Fourth Cinema. It's a concept that fuels some controversy among those whose thinking is governed by a colonial bias, although it is gradually finding acceptance in academia in universities such as Leeds and Auckland, where Fourth Cinema is now offered as a course of study.
From the creators of the Ravens and Eagles: Haida Art series, this series Storytellers in motion, introduces a number of Canada's indigenous storytellers. Sharing excerpts from their films, these storytellers comment on their work and explore their creative voices.
Directed by: Marianne Jones, Jeff Bear
Produced by: Jeff Bear, Marianne Jones, Urban Rez Productions
Titles included in Storytellers in motion, Series 1:
- The Indigenous Voice (24 minutes)
- Out of the Shadows: Christine Welsh (24 minutes)
- Hunkpapa Woman: Dana Claxton (24 minutes)
- Culture Shock in Alert Bay: Barb Cranmer (24 minutes)
- Finding My Talk: Paul Rickard (24 minutes)
- Town Crier: Jim Compton (24 minutes)
- The Syilx Voice: Tracey Jack (24 minutes)
- Mr. Tapwe: Doug Cuthand (24 minutes)
- From the Edge: Gil Cardinal (24 minutes)
- Our First Lady of Cinema: Alanis Obomsawin (24 minutes)
- Lights, Camera and Action: Tantoo Cardinal (24 minutes)
If your institution does not have a server or you are looking into a license for curated one-time events or fixed term exhibitions, please contact us.
The following terms are understood, accepted and effective upon payment of License Fee to Moving Images Distribution, the Licensor, and the buyer, the Licensee, named on the invoice. Copyrighted material, as identified on the invoice, hereinafter referred to as the Program.
- License: The Licensor hereby grants to the Licensee, for the DSL term listed on the invoice, the educational rights for digital streaming of the Program for use within the Licensee’s private, closed system, password-protected platform. Licensee acknowledges it shall not sublicense, sublease, rent, resell, duplicate, digitize or transfer to any other medium or format. Licensee shall not edit, cut or alter the Program nor post it on publicly-accessible websites or networks. This license (i) will not be included in any courses that could be sold to other institutions for future distance-education use; (ii) is non-transferable; and (iii) is not assignable by the Licensee.
- Users: The Licensee agrees that the users for this license shall be restricted to the Licensee’s accredited faculty, staff, students, and walk-in Library patrons.
- Expiration of Term: Upon expiration of the license term, the Licensee shall cease streaming of the Program and the Program must be inaccessible to Users after license term expiry or deleted from the Licensee’s digital servers upon expiry.
Acknowledgement of Limitations: The Licensee acknowledges the Program is copyrighted and the Licensor has a copyright interest in the Program which is legally protected against the Licensee’s use, copying or exhibition except as is set out above.
DVD w/PPR. PPR stands for Public Performance Rights. A DVD with PPR license permits the buyer to use the film in non-theatrical venues for educational purposes, community screenings and other non-commercial purposes. Standard educational DVD w/PPR purchases are in perpetuity for use by the institution, college, school, library, its staff and students.
All DVDs sales are final. We guarantee that all DVDs will be free from defects at the time of delivery. Defective DVDs will be replaced without charge within 30 days of date of shipment.
The creators of all works distributed by Moving Images Distribution hold copyright for their work. Copyrights are a form of intellectual property that gives the owner of the original work exclusive rights to that work, including its publication, distribution, adaptation and use. All purchasers are to specify use required precisely at time of ordering and agree to comply with all copyright, trademark and intellectual property law. No materials purchased may be used outside the rights acquired at time of purchase or may be reproduced in whole or in part by any method now known or hereafter devised. No materials purchased without specific broadcast license and agreement may be broadcast, retransmitted or exhibited in whole or in part without a specific license agreement from Moving Images Distribution for such use.