Ravens and Eagles, Paradox of Attribution
DirectorsJeff Bear Marianne Jones
ProducersJeff Bear Marianne Jones Ravens and Eagles Productions
- Release Date 2002
- Running Time 24 minutes
- Closed Captions Yes
- Availability Arts, First Nations, Indigenous
- Prix habituel
- Prix habituel
- Prix soldé
- Prix unitaire
Institutions: Purchase at this price level if you are from a university, college, school board, school district, government agency, business or association. Note: Price does not include inter-library loan rights.
Community: Purchase at this price level if you are from a single K-12 School, registered not-for-profit, community organization, public library. Note: Price does not include right to circulate DVD/program to other schools within district.
DSL stands for Digital Site License and permits the buyer of the license to host the film on a password-protected, closed server for the term of the license for educational use. If your institution does not have a server or you are looking into a license for curated one-time events or fixed term exhibitions, please contact us.
Article ajouté au panier
Haida art had reached a very sophisticated stage of development by the time of the Haida people's first contact with Europeans. Nearly every household item was adorned with carved or painted crests. Missionaries saw the art as the work of the devil; but ethnologists were looking for material culture they could use in museum dioramas in New York and Chicago. There has been debate in academic circles about who created turn of the century masterpieces of Haida art. In a discussion about the old Masters, Paradox of Attribution re-visits some of the artists in a final roundup of Haida artists defining Haida art. Many historical masterpieces are featured in this sweeping overview. Director Marianne Jones, herself a Haida eagle clan member, leads a tour of some of the old village sites where art once stood on the shores. She poses an interesting dilemma: Does attribution really matter? Or is it best left as a paradox?
Shot on British Columbia's rugged northwest coast, Ravens and Eagles: Haida Art delves into the roots of traditional Haida art and traces the genesis of today's generation of Haida carvers, singers, dancers, weavers and performers. Over two series, Ravens and Eagles explores some of the wider historical and political issues of the repatriation of Haida artifacts, the vital potlatch ceremony once declared illegal by the Canadian government, and the fight to preserve old growth forest on Haida land. Created by Haida filmmaker Marianne Jones and Jeff Bear, Ravens and Eagles approaches Haida art and culture from the Haida perspective.
Titles included in Ravens and Eagles: Haida Art series 1:
- What is Haida Art? (23 minutes)
- Spruce Root Weaver: Isabel Rorick (21.5 minutes)
- Cedar Bark Weaver: Victoria Moody (22 minutes)
- Argillite Carver: Christian White (20 minutes)
- Carrying on the Tradition (21.5 minutes)
- The New Masters (22.5 minutes)
- Portrait of a Mask Maker: Reg Davidson (23 minutes)
- Journey of Song (22 minutes)
- Chiefly Possessions (23 minutes)
- Yahgu dang ang: To Pay Respect (22 minutes)
- Robert Davidson: Eagle of the Dawn, Parts 1 & 2 (47 minutes)
If your institution does not have a server or you are looking into a license for curated one-time events or fixed term exhibitions, please contact us.
The following terms are understood, accepted and effective upon payment of License Fee to Moving Images Distribution, the Licensor, and the buyer, the Licensee, named on the invoice. Copyrighted material, as identified on the invoice, hereinafter referred to as the Program.
License: The Licensor hereby grants to the Licensee, for the DSL term listed on the invoice, the rights for digital streaming of the Program for use within the Licensee’s internal closed system, password-protected site. Licensee acknowledges it shall not sublicense, sublease, rent, resell, duplicate, digitize or transfer to any other medium or format. Licensee shall not edit, cut or alter the Program. This license (i) will not be included in any courses that could be sold to other institutions for future distance-education use; (ii) is non-transferable; and (iii) is not assignable by the Licensee.
Users: The Licensee agrees that the users for this license shall be restricted to the Licensee’s accredited faculty, staff and students.
Expiration of Term: Upon expiration of the license term, the Licensee shall cease streaming of the Program and the Program must be deleted from the Licensee’s digital servers.
Acknowledgement of Limitations: The Licensee acknowledges the Program is copyrighted and the Licensor has a copyright interest in the Program which is legally protected against the Licensee’s use, copying or exhibition except as is set out above.
DVD w/PPR. PPR stands for Public Performance Rights. A DVD with PPR license permits the buyer to use the film in non-theatrical venues for educational purposes, community screenings and other non-commercial purposes. Standard educational DVD w/PPR purchases are in perpetuity for use by the institution, college, school, library, its staff and students.
All DVDs sales are final. We guarantee that all DVDs will be free from defects at the time of delivery. Defective DVDs will be replaced without charge within 30 days of date of shipment.
The creators of all works distributed by Moving Images Distribution hold copyright for their work. All purchasers are to specify use required precisely at time of ordering and agree to comply with all copyright, trademark and intellectual property law. No materials purchased may be used outside the rights acquired at time of purchase or may be reproduced in whole or in part by any method now known or hereafter devised. No materials purchased without specific broadcast license and agreement may be broadcast, retransmitted or exhibited in whole or in part without a specific license agreement from Moving Images Distribution for such use.