
Dance choreographed for the camera features double exposures in the filming process in this work that speculates on the origins of life.

This collaboration between choreographer Aszure Barton and filmmaker Daniel Conrad portrays a little tribe of humans trying to make sense of their dehumanized lives, as they pass through the city of Prague.

Award-winning filmmaker Daniel Conrad collaborates with choreographer Wen Wei Wang to reimagine dance and poetry from the Tang and Song dynasties (AD 960 to AD 1280).

Traditional dances of Canada's First Nations people and the wondrous spectacle of northern lights are the inspiration for this coloured sand stop- motion animation by one of Canada's most gifted animators.
A haunting bass clarinet accompanies the sparse movements of Jorge Holguin and Lee Anne Smith in this poetic work completed posthumously for Michael McGarry.

As the lens captures the ephemeral essence of two souls lost in a transparent world, Ghostworld examines the choreographic nature of dance, sound and film itself.
In a visual interpretation of this avant-garde poem by e.e. cummings, poeticd hand movesments of ASL/Art-Sign emphasize the dexterous quality of the poet's perspective, creating an innovative visual interpretation in harmony with the poem.


A maker of the most elaborate and sometimes outrageous masks, Reg Davidson is at the top of his class. Portrait of a Mask Maker joins him in his studio to watch him carve and share his views about Haida art.


A portrait of Robert Davidson, one of the great masters of contemporary Haida art.

A portrait of Robert Davidson, one of the great masters of contemporary Haida art. Special edition includes extra features.

Second Nature features dancers Linda Arkelian and Wei Wen Wang in a pas de deux choreographed by Judith Marcuse.

Sisyphus is a powerful interpretation of the ancient Greek myth of the same name. Dancers struggle to reach their destination by hurling themselves at a wall and building human pyramids.

This is a compilation of three dance films done by choreographer and filmmaker Daniel Conrad.

David Rimmer collaborates with Vancouver choreographer Jennifer Mascall and composer and vocalist Veda Hille to create a dance poem inspired by the writings and paintings of Emily Carr.

A lone, desultory female voice sings. Astrid rises and starts to walk through nocturnal streets, lit film noir style. The dancer appears as a black shape, then in an alleyway, turning vertiginously, her dark hair flying.